Movies

There was no picketing Monday by SAG-AFTRA members due to the Indigenous Peoples Day holiday, but the leadership of the actors guild did return to the bargaining table with the studios and streamers. After wrapping up its latest negotiation session at SAG-AFTRA’s Wilshire Boulevard offices, chief negotiator Duncan Crabtree-Ireland and other guild leaders will meet
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Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
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Rasty and nasty with a cherry on top, Fast Charlie is a down-home Southern gangster yarn with a staggering body count but a sweet taste awaiting the survivors at the end of the day. This adaptation of Victor Gischler’s 2003 novel Gun Monkeys is an inelegant affair that gushes hot blood all over the place
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EXCLUSIVE: Moving out of the documentary space with Nyad — the true but lightly fictionalized story of Diane Nyad, an athlete who swam from Florida to Cuba in her 60s — director Elizabeth Chai Vasarhelyi came to Contenders London with producer Andrew Lazar and Bonnie Stoll, the real-life inspiration for Jodie Foster’s character in the movie, Diane’s friend
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After sitting it out last year, Deadline’s Contenders film series returns to London today with a strong lineup featuring Ridley Scott, Emerald Fennell, Todd Haynes and Michael Mann among the panelists attending the awards-season event. Contenders London gets underway this morning at London’s Ham Yard Hotel and will feature panels on 13 of the year’s
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UPDATED, 11:34 a.m.: Sony Pictures Classics has firmed up release plans for its drama Freud’s Last Session, starring Anthony Hopkins and Matthew Goode, which charts the relationship between psychoanalyst Sigmund Freud and author C.S. Lewis. Based on the stage play by Mark St. Germain, who wrote the script, the film opens in theaters in New
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CAA had been silent all day Wednesday since Julia Ormond named the uber-agency and Disney in her sexual battery lawsuit against the imprisoned Harvey Weinstein, but tonight the Bryan Lourd-led company is calling its inclusion in the action “baseless.” In fact, CAA stopped just short of citing the claim of breach of fiduciary duty by
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Wind gusts quivered the tree limbs, rainfall ricocheted off the roads, and in an instant, power cut off at the old Opera House on Elm Street in Camden, Maine, scuttling screenings there at the Camden International Film Festival. With that mid-September atmospheric outburst, Hurricane Lee did in the scheduled U.S. premiere of Alex Gibney’s new
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This is Day 83 of the SAG-AFTRA strike.  The language was salty but the mood was upbeat at a union rally in Midtown Manhattan by striking actors and their supporters from the 150,000-member Transportation Workers Union.  With talks between the actors union and the production studios paused until Wednesday, the crowd at SAG-AFTRA’s solidarity picket with the
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EXCLUSIVE: Animal Pictures principals Maya Rudolph and Natasha Lyonne are going their separate ways on the producing front, in an amicable situation, Deadline can exclusively reveal. Sources ascribed the split to a desire on the part of both producers to entertain differing creative paths and pursuits. Rudolph and Lyonne have made the mutual decision that
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EXCLUSIVE: Following major roles in everything from Netflix’s Sex/Life to the hit Prime Video pic Red, White & Royal Blue and New Line/Warner Bros’ Black Adam, actress Sarah Shahi has signed with agency Independent Artist Group, at the same time inking with Untitled Entertainment for management. Shahi is perhaps best known for leading Stacy Rukeyser’s
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Foe, a complicated love story set in the near future amid burned out farmland, intertwines AI and climate catastrophe with the challenges of keeping a marriage together — all elements director Garth Davis (Lion) said pulled him to the story. “There are so many reasons why I was compelled to make this film, and why
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